The Spirit Catches You and You Fall Down / By Anne Fadiman
“Fadiman describes with extraordinary skill the colliding worlds of Western medicine and Hmong culture.” —The New Yorker
Before Clint Eastwood’s Gran Torino, there was Anne Fadiman’s The Spirit Catches You and You Fall Down–a journalistic rendition of Hmong American lives in the United States.
The Spirit Catches You details the medical mis-journey of epileptic Lia Lee, born in Merced, CA, on July 19, 1982, at 7:09PM to parents Nao Kao Lee and Foua Yang. Through her retelling of the tragic events, Fadiman weaves for an unfamiliar audience the trials and tribulations existent in the resultant “crashes” of conflicting cultures in America’s backyard (viii) and the importance of cultural fluency particularly in the medical realm.
Response Questions
REPRESENTATION
- What are Fadiman’s suggestions for preventing crashes and tragedies as depicted in The Spirit Catches You?
- Is it inevitable that such crashes occur? Reflect on the messaging of the 2005 film Crash. How are these two portrayals similar? How are they different? Are they related?
AUTHENTICITY
- Authenticity is defined as: “The quality or condition of being authentic, trustworthy, or genuine.” How authentic do you think Fadiman is in her representation of her positionality in The Spirit Catches You? How might/does her status as an unmarried, white woman who does not speak the language affect the information she received?
- The Spirit Catches You lauds the text as an anthropological gem. Anthropologists since postmodernism (1986, at the latest) have realized the conflicting realities of their representations of “foreign cultures.” Many, in their concluding notes or forewords, now qualify the authority that is normally conveyed to them upon publication. Fadiman is still considered an authority on Hmong people and culture in the United States today. Her comments are quoted on the covers of two more recent Hmong American cultural productions (Bamboo Among the Oaks edited by Mai Neng Moua and The Latehomecomer by Kao Kalia Yang). How do you feel about this?
- The Lee family is understood to be the archetype of all (if not most) Hmong American families in the United States. Is this a correct interpretation? If so, why? If not, how should a non-familiar audience understand the typical Hmong American family? How does Fadiman create the “average” Hmong family in The Spirit Catches You? What is the actual experience of being Hmong American like?